THE WAR BETWEEN PRONCESS AND STEPSISTER: DECONSTRUCTION IN CONCEPTS OF GOOD AND EVIL IN TWO DIFFERENT VERSIONS OF CINDERELLA STORYTALE (A COMPARATIVE PERSPECTIVE) Oleh H. S. Budi
Literature
today is no longer seen from a limited perspective. Literature is now seen as a
study that binds other studies. As a study that used to be part of art,
literature certainly still brings aesthetic and beauty elements along with
scientific elements because of its position as a study. In order to see literature
as a scientific study, the role and influence of other studies are required.
Literature as
a social study reflects the concept of norms and morals in society. Literature
implicitly describes its views on concepts that develop in civilized society,
such as the concepts of good-bad, right-wrong, and right-incorrect in the
construction of the literary world itself. Literature seems to have rules in
representing humanity. Moreover, literary objectivity sees an object from
various perspectives. This makes literature defines social concepts very
broadly and unlimitedly.
According to
Tucan, short story is like photography (148). Short stories are one part of the
body of literature that binds various concepts that developed in the midst of
human civilization. Short stories were originally intended to teach morals and
are currently used as a medium of criticism. Traditional short story is one
form of short stories that are most identical to the moral issues of society.
Short stories like this consist of folklore, folk tales, legends, myths, and
many more. Modern short stories that adapt traditional short stories change the
moral value of the original story a lot. Dundes stated that folklore is
important to use for knowledge of human experience (1). However, it should also
be recognized that the similarities between the two versions of the story, both
in the traditional and modern versions, are not mutually exclusive but remain
connected.
One of
traditional stories is Cinderella. Cinderella is a well-known classic children’s
story in the world of literature. This folk tale is firstly written in Italian
by Giambattista Basile, entitled Cenerentola,
in 1634 adapted from an oral tradition story to written story. The story is
about life of a girl and her wicked stepmother and stepsisters. There are two
most popular versions for the recent readers today. The first version is
written and told in French by Charles Perrault in 1697 entitled Cinderella which is obtained from its
protagonist of the story. This version has been translated into a
child-friendly story for young readers today. Walt Disney has also adapted this
story into a movie with the same title by giving more magical element. The
second version is a folk tale entitled Ashcenputtel
which means “the little ash girl” referring to the story of the protagonist who
sleeps in front of stove full of ash. This version is compiled and told by
Grimm Brothers which published in 1812. This tale provides darker story than
Perrault’s.
One of the
Indonesian feminist authors wrote a short story which is a retelling version of
Cinderella with a darker story than
the original story. The author is Intan Paramaditha. Her short story entitled Perempuan Buta Tanpa Ibu Jari, which
means “blind woman without thumb”, was published in 2017. This short story is
part of a collection of short stories of Sihir
Perempuan published by Gramedia Pustaka Utama. This story has a similar
story to Cinderella but takes the point of view of one of her stepsisters. The
story revolves around the view of one of Cinderella's stepsisters who compares
her fate with Cinderella’s luckiness. By looking from a different perspective,
this short story presents a different representation of meaning from the
original story, namely Cinderella, thereby providing a new view for modern
readers.
As two
different works that belong to two different cultures, Ashcenputtel by Grimm Brothers and Perempuan Buta Tanpa Ibu Jari by Paramadhita share similar
characteristics, including characters, events, and issue. Both short stories
are literally a similar story. Paramaditha’s Perempuan Buta Tanpa Ibu Jari is retelling version of Ashcenputtel. It indicates that both
stories share a similar concept. The two stories provide two different
perspectives of the concept of good and bad. Ashcenputtel depicts the concept of good and bad based on
Cinderella’s view, meanwhile Perempuan
Buta Tanpa Ibu Jari represents the concepts based on one of Cinderella’s
stepsisters. Those two different perspectives create a new understanding on the
meaning of the concepts.
Literary
studies provides a tool, called theory/approach to observe particular elements
existing in literary works. One of literary theories/approaches is moral
approach. Moral approach is applied to uncover the concept of good and evil the
two short stories. Moral approach is an approach which observes a literary work
from what is taught as moral teaching and puts any form in a work, such as
figurative language and aesthetic element, as secondary aspect (Guerin 78). The
approach sees the influences of two different views of characters in building
the concept of good and evil in their understanding.
Concept of Good and Evil based on Cinderella’s Perspective
In Ashcenputtel by Grimm Brothers, the
protagonist of this story is Cinderella who is represented as a good girl.
Based on perspective of Cinderella as a good character, the concept of good and
evil is described as having a clear contrast between Cinderella and the antagonists,
her stepmother and her two stepsisters. Cinderella is described as a victim of
her mother and step sister. This reason gives Cinderella the title as a good
concept and her stepsister as an evil concept.
The concept of
good based on Cinderella's perspective consists of beauty, simplicity,
fortitude and luckiness. These four concepts are considered to be the moral
foundation of goodness possessed by Cinderella in Grimm Brothers' Ashcenputtel.
Classical
literary works generally depict the appearance of beauty as an indication of
goodness. Beauty is part of truth, beauty, and goodness (Diessner 324). The
story of Ashcenputtel interprets
Cinderella's beauty as a part of goodness. Grimm narrates beauty in his short
story, "Her step-sisters and the step-mother however did not know her, and
thought she must be a foreign princess, for she looked so beautiful in the
golden dress." (Griffith 16). In this narration, Grimm clearly provides a
distinction between the beauty and ugliness of Cinderella's appearance. He
covers the ugliness behind Cinderella's beauty. According to Démuth, beauty
opposes tension and contradiction because it embodies harmony (2). Beauty can
influence the society (Sari 2). Referring to this statement, Cinderella's
beauty roughly reflects the goodness itself. In addition, beauty is able to
hide the unbeauty which only shows goodness.
Simplicity is
the social background for many short stories. Ashcenputtel by Grimm Brothers also uses this concept in building
Cinderella's life. Simplicity is a representation of goodness. Cinderella's
simplicity is reflected in her request to her father, "Father break off
for me the first branch which knocks against your hat on your way home."
(Griffith 15). This request indicates a simple desire that does not make it
difficult for others.
Furthermore,
Cinderella is a strong girl. This can be seen from Grimm's narration,
"Cinderella obeyed, but wept, because she too would have liked to go with
them to the dance, and begged her step-mother to allow her to do so." (Griffith
15). Based on the narration, Cinderella's steadfastness in facing the demands
of her step-mother and step-sisters represents her good nature in accepting the
situation. Pieper argues that resilience requires vulnerability (117).
Cinderella's vulnerability stems from her step-sisters' dominations of
Cinderella's fate. The last one is Cinderella's luckiness which she got from
her mother. As most short stories, luckiness is the strength of the story and
always comes when the protagonist gets into trouble. Luckiness can also be
called the end of the protagonist's problem in dealing with the problems in the
story. The appearance of luckiness in stories, especially Cinderella, shows
that luckiness only comes when goodness exists.
The bad
concept from Cinderella's perspective is depicted by greed, injustice, luxury,
and punishment. These three concepts are reflected in her stepmother and
step-sisters. Greed is illustrated in the narration, “They look her pretty
clothes on her, put an old gray bedgown on her, and gave her wooden shoes.”
(Griffith 14). The narration indicates that greed has undermined the goodness
in the story. Injustice is reflected in the actions of her stepmother who did
not want to take Cinderella to the dance. The luxury desired by Cinderella's
stepmother and sister reflects bad morals. The act of taking off Cinderella's
clothes and replacing them with dusty clothes clearly illustrates the concept
of luxury from a negative point of view of evil. The last concept is
punishment. It is very common to find in many short stories that criminals will
be punished for what they have done. Although it is the impact of the concept
of goodness, punishment indicates the result of an act of evil. As a result,
Cinderella's mother and stepsisters who were blind because the birds had pecked
their eyes.
Concept of Good and Evil based on Stepsister’s Perspective
Perempuan Buta Tanpa Ibu Jari by Intan
Paramaditha is a short story written based on the story of Cinderella by taking
the perspective of one of Cinderella's stepsisters. Therefore, the protagonist
in this story is one of Cinderella's stepsisters who is not named by the
author. Based on the perspective of Cinderella's stepsister, the concept of
good and bad has a different definition and interpretation compared to the
original story. Moreover, this story is set in a different country from the
Grimm Brothers' Ashcenputtel.
The concept of
good based on Cinderella’s step sister includes hard-working and sacrifice.
These concepts of good do not appear in the original story but unearthed in
this retelling version. These concept has recreate untold moral in story.
Based on
perspective of Cinderella’s step sister, the author tries to emphasize
hard-working that cannot be seen in Ashcenputtel.
It can be seen in narration, “Ia cukup kuat mengurus kami sendirian, sampai
akhirnya ia menyadari bahwa harta suaminya lam kelamaan menipis.” (Paramaditha
27). This narration clearly depicts the life of protagonist that must be
hard-working to survive. This emphasize that hard-working is categorized as the
concept of good by the protagonist in her perspective. The second concept is
sacrifice. The protagonist in this story is not the criminal but the victim. It
can be seen in narration, “Sementara itu Ayah menganggap kami nyaris tidak ada,
hanya sisa-sisa masa lalu Ibu yang terpaksa harus dibawa serta. Ia tak punya
pilihan.” (Paramaditha 26). This narration is widely depicted that the
existence of the protagonist is a sacrifice because her step-father does not
even care to her. The protagonist indicates sacrifice as the concept of good
based on her perspective.
As an opposite
character with Cinderella, the protagonist of Perempuan Buta Tanpa Ibu Jari by Intan Paramaditha mentions beauty
and injustice as the concept of evil in this story. The protagonist strongly
believes that Cinderella’s beauty is a kind of sign that indicates evil thing
of Cinderella’s personality. It reflects in Paramaditha’s statement, “Adik
tiriku Larat memang pawai memasang muka manis.” (Paramaditha 27). The act of
her step-sister indicates that beauty is not reflecting goodness but evil side
beneath it. According to Aprilita, beauty is a relativity because people can
see it differently (1). It is like a rose with deadly thorns. The concept of
injustice appears in the act of her step-father who is not giving a fair
attention to their children. Paramaditha depicts this concept in narration,
“Masih bagus, tapi tetap saja bekas.” (Paramaditha 25). This narration explains
that her step-father gives more attention to Cindelarat that others. Injustice
will win if unjust people seem to be just (Heinze 3). It indicates dissimilarity
given by step-father to his children. Therefore, injustice obviously indicates
evil concept based on step-sister’s perspective.
In two the short
stories originating from the same story, Ashcenputtel
by Grimm Brothers and Perempuan Buta
Tanpa Ibu Jari by Intan Paramaditha provide different concepts of good and
evil based on two different perspectives. Both perspectives are based on the
perspective of Cinderella and one of her stepsisters. The concept of good
according to Cinderella consists of beauty, simplicity, fortitude and
luckiness. Meanwhile, according to Cinderella's step-sister, the concept of
good consists of hard-working and sacrifice. The two also interpret the concept
of evil in different ways. Cinderella's perspective states greed, injustice,
luxury, and punishment as an evil concept. Meanwhile Cinderella's step-sister
stated beauty and injustice as a concept of evil. The concepts based on the two
perspective are opposites. Cinderella’s perspective sees beauty is good,
meanwhile stepsister does not. However, the two perspectives agreed that
injustice is a concept of evil. The two perspectives might be different in
seeing the concepts, but at the same time, they both agreed to the same concept
as well.
References
Abilene Public
Library. History of Cinderella. n.d.
<https://abilenetx.gov/1013/History-of-Cinderella#:~:text=Charles%20Perrault%20from%20France%20wrote,godmother%2C%20and%20the%20glass%20slipper.>.
Aprilita, Dini and
Refti Handini Listyani. "Representasi Kecantikan Perempuan dalam Media
Sosial Instagram (Analisis Semiotika Roland Barthes pada Akun @mostbeautyindo,
@Bidadarisurga, dan @papuan_girl)." Paradigma 4.3 (2016): 1-13.
<https://media.neliti.com/media/publications/252704-representasi-kecantikan-perempuan-dalam-0108512d.pdf>.
Démuth, Andrej.
"The Relation between Beauty and Goodness-Historical and
Cognitive-Scientific Approach." 6th International Conference on
Literature, Languages, Humanities and Social Sciences. paris, 2017. 1-7.
Diessner, Rhett, et
al. "Engagement With Beauty: Appreciating Natural, Artistic, and Moral
Beauty." The Journal of Psychology 142.3 (2008): 303-329.
<https://doi.org/10.3200/JRLP.142.3.303-332>.
Dundes, Alan. The
Meaning of Folklore: The Analytical Essays of Alan Dundes. Utah: Utah State
University Press, 2007.
Grimm, Jacob and
Wilhelm Grimm. "Ashcenputtel." Griffith, John W. and Charles H. Frey.
Classics of Children's Literature. 6th. New Jersey: Pearson, 2005. 14-17.
Guerin, Wilfred L.,
et al. A Handbook of Critical Approaches to Literature. 5th. New York: Oxford
University Press, 2005.
Heinze, Eric. The
Concept of Injustice. Oxfordshire: Routledge, 2012.
Paramaditha, Intan.
Sihir Perempuan. Jakarta: Gramedia Pustaka Utama, 2017.
Pieper, Josef. The
Four Cardinal Virtues: Prudence, Justice, Fortitude, Temperance. New York:
Harcourt, Brace & World, 1965.
Sari, Retno.
"Konstruksi Makna Cantik Bagi Mahasiswi Universitas Riau Berkulit
Cokelat." JOM FISIP 4.1 (2017): 1-15.
<https://media.neliti.com/media/publications/124959-ID-none.pdf>.
Tucan, Gabriela.
"What is a Short Story Besides Short? Questioning Minds in Search of
Understanding Short Fiction." Romanian Journal of English Studies 11
(2014): 144-151. 12 June 2022. <https://doi.org/10.2478/rjes-2014-0018>.
The Author

Komentar
Posting Komentar